The south's gonna do it again.

Yesterday in The Arizona Republic, Ed Masley published a list article called "Six Pillars of Southern Rock," which purported to pick out the most significant Southern Rock albums without ever stating so explicitly. Here's his list

1. The Allman Brothers Band, The Allman Brothers Band (1969)
2. Lynyrd Skynyrd, (pronounced 'leh-'nérd 'skin-'nérd) (1973)
3. The Allman Brothers, At the Fillmore East (1971)
4. Lynyrd Skynyrd, Street Survivors (1977)
5. The Drive-By Truckers, Southern Rock Opera (2001)
6. The Black Crowes, Shake Your Money Maker (1990)

In fact Masley's weasel words descriptive qualifier for his list is "six essential albums that are probably more Southern Rock than ZZ Top." Putting aside the obvious comment on the timorous adverb. This is clearly a definition that defines nothing. From the list we can in fer that Masley is looking for some kind of traditionalist notion of Southern Rock as a guitar driven entity, coming out of the wedding of blues and country traditions, which focuses on some notionally Southern version of manhood. Thus we get such a conservative list that misses at least two bands best album and has the throwaway sixth entry, which really doesn't belong despite all Masley's protestations otherwise!



There are many ways to redo and improve this list. I will simply offer two: a better traditionalist list followed by a better list which has a much broader definition of Southern Rock. Also I fail to see why there are six pillars? Sikhism has three, the Dominican order has four, Islam has five. But wisdom (Proverbs 9:1) has seven! and surely what said list is offering is wisdom.

Seven Pillars of [Traditional] Southern Rock
1. The Allman Brothers Band, The Allman Brothers Band (1969)
2. Lynyrd Skynyrd, Second Helping (1974)
3. The Allman Brothers, At the Fillmore East (1971)
4. Lynyrd Skynyrd, One More For From the Road (1976)
5. Lynyrd Skynyrd, Street Survivors (1977)
6. The Drive-By Truckers, The Dirty South (2004)
7. Molly Hatchett, Flirtin' With Disaster (1979)

Honorable Mention:
The Outlaws, Outlaws (1975)
.38 Special Wild-Eyed Southern Boys (1981)
Derek & The Dominoes,Layla and Assorted Other Love Songs (1970)
Little Feat, Dixie Chicken (1973)
The Band, The Band (1969)
Creedence Clearwater Revival, Bayou Country (1969)

This list is temporally bound as Southern Rock's great era came to a close with the inauguration of Ronald Reagan, with only the Drive-By Truckers as a unique outlier. The Allmans were the originators but Skynyrd was clearly THE BAND, thus they merit 3 slots. Their second album is better than the first, plus everyone knows the version of "Free Bird" you wanna hear is on the live double LP with Cameron Crowe's famous liner notes. Molly Hatchett stands in for all the other lesser Southern bands, some of them listed in the honorable mention section. This section is provided not as a cheat on the 7, but rather to give readers a wider range of listening/investigating options. It also points to some precursors.

Seven Pillars of [Non-Traditional] Southern Rock
1. The Allman Brothers Band, The Allman Brothers Band (1969)
2. Lynyrd Skynyrd, Second Helping (1974)
3. Big Star, Radio City (1974)
4. Pylon, Gyrate (1980)
5. Archers of Loaf, Icky Mettle (1993)
6. OutKast, Stankonia (2000)
7. The Drive-By Truckers, The Dirty South (2004)

Honorable Mention:
Dusty Springfield, Dusty In Memphis (1969)
The Rolling Stones, Sticky Fingers (1971)
The B-52s, Wild Planet (1980)
REM, Murmur (1983) or Reconstruction of the Fables (1985)
Superchunk, Tossing Seeds: Singles 89-91 (1992)
The dBs, Stands for deciBels/Repercussion (2001)

The list veers away from strictly guitar driven rock venturing into rap and the new wave. I chose the B-52s second album because the red one is more "Southern" than the yellow one. I also, against the critical grain, like it better. Both Fame in Muscle Shoals and Stax in Memphis needed to be noticed in this list, thus the Dusty and Rolling Stones' honorable mentions.

How many more years.

A photo essay on yesterday's 14th annual Howlin' Wolf Memorial Blues Festival at The Civic in West Point, MS.

Festival Director Richard Ramsey introduces the next act.



Big Joe Shelton does the "Black Prairie Blues!



Memorial shrine for the late Willie King.



Honored guests and members of Howlin' Wolf's immediate family.



Bill Abel from Belzoni.



Some signs at the Civic's entryway faux Juke.



Mississippi has been a "red" state since Reconstruction even whe it voted yellow Dog.



Billy Dee always was smooth . . . Bingo long anybody?



Colin Linden from Nashville via Toronto.

Medley.

Sam Cooke presents a classic medley.



Seems appropriate that this blog's 350th entry is a mishmash.

Tonight I'm heading West Point way for this. With any luck some photos up in the future. And don't forget this other local festival, which will have some major news re: headliners for 2009 the Tuesday after Labor Day.

This medley by The Bishop of Soul Solomon Burke pays homage to his fellow travelers.



Looking forward to a historic opener for the Mississippi State Bulldogs as they become the first SEC team to host a SWAC HBCU team, the Jackson State Tigers. More specifically, I'm really looking forward to the halftime performance of the visiting team's band, The Sonic Boom of the South!



A few other famous show band performances with better sound:







And let's close with a classic medley from "the Hardest Working Man in Show Business . . . Mr. Dynomite . . . Mr. Please Please . . . Soul Brother #1 . . . Are you ready for Star Time?"